Grant Green - Nigeria (Tone Poet Series) Artist_Temples 《折墮忘形》共收錄了9首原創作品，有從未面世的，也有曾發佈的，不論新舊，那半吟半唱的演繹，還有即興色彩彈奏，全是很「黃衍仁式」的獨特表演方式，成熟與單純之間，無論如何絕望、崎嶇，無論這城怎樣浮沉，他唱故他在。

《折墮忘形》共收錄了9首原創作品，有從未面世的，也有曾發佈的，不論新舊，那半吟半唱的演繹，還有即興色彩彈奏，全是很「黃衍仁式」的獨特表演方式，成熟與單純之間，無論如何絕望、崎嶇，無論這城怎樣浮沉，他唱故他在。

we often have this ‘we can do everything’ feeling

The enthusiastic performance of Utten's regular band "The Udung Glass" at the small club "Nineteens Hall" in Indianapolis in 1972

which envisions a future world where malfunctioning tech implanted in the human body has flooded the users mind with projections of chaos

Grant Green - Nigeria (Tone Poet Series) Artist_Temples 《折墮忘形》共收錄了9首原創作品，有從未面世的，也有曾發佈的，不論新舊，那半吟半唱的演繹，還有即興色彩彈奏，全是很「黃衍仁式」的獨特表演方式，成熟與單純之間，無論如何絕望、崎嶇，無論這城怎樣浮沉，他唱故他在。Grant Greens Nigeria is an under recognized gem in the guitarists remarkable Blue Note catalog. Recorded in 1962, but not first released until 1980, the album features a top shelf band with Sonny Clark on piano, Sam Jones on bass, and, in one of his only appearances with Green, Art Blakey on drums. The groove is deep and wide right from the start on the Sonny Rollins classic Airegin followed by a version of the Gershwin standard It Aint Necessarily So